Browse Items (25 total)

Baltimore Dance Theater Artistic Director Eva Anderson informs supporters about the company's intentions for the 2002 season.

A ticket order form for the Baltimore Dance Theater's 1982 and 2001 Fall Concerts.

The Official dance schedule for the Baltimore Dance Theater in 1979.

The program for the Baltimore Dance Theater premiere of "Dreams" at the Baltimore Museum of Art in 1983.

In this letter, Baltimore Dance Theater member Branch Morgan requests a critique of his choreography from his teacher and mentor Eva Anderson.

Critic Jane Murray reviews the Baltimore Dance Theater at the Critic's Place in 1981 for the Maryland Center for Public Broadcasting.

The official portraits or head shots of several members of the Baltimore Dance Theater.

The Baltimore Dance Theater performs on stage.

Eva Anderson and Don Pullen pose for a photograph together. Don Pullen was a famed African American jazz pianist and organist. He and Eva were close friends. Pullen composed several pieces for Eva's choreography.

Eva Anderson designed and sewed every costume for The Baltimore Dance Theater.

"Brer'r Rabbit" was created in 1988. The dance was an interpretation of "Uncle Remus" folktales. The piece was inspired by slave origins and Eva Anderson's childhood stories.

Eva Anderson was inspired by African-American dancer Pearl Primus' s signature dance titled "Strange Fruit." Eva's dance was titled "Winter of Our Days." The dance consisted of striking movements to a melody of African American spirituals.

Eva Anderson was commissioned by the Smithsonian National Zoological Park in Washington, D.C. to choreograph a modern dance piece for the opening of the new Elephant Exhibit at the zoo.

Although The Baltimore Dance Theater was rooted in African American history and dance, the troupe included dancers of all nationalities.

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