1 20 30 https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/75a246b3ab3ea16add9fab8ffba1dfb2.jpg?Expires=1774483200&Signature=Sd77mmrXoGis8xNuNqJz-IByB%7EtXrScTLrf6oZwBCGs1HpLMnAqFM2FAh0pFNLHuaQ2PKVbhSiRnETDGlHW9PkexcFF2DQtUMzg7FKataB9ooMtdJk13ccosFfCG0piN6npXwPTcF6UCR5iTrYxUWbTIsJ36FOPTBrqr5iL3JPu5l59vjQKM5sgjrUjOUowSMSB3L89HVLawsPRCR6Mfb-Oy%7Ek2urIWE8by2fsfkGi7CbskVUbpSlHujjlryF1X9YKf1jvcZmO65irVKcbUMVPW4HeoY6mkePWCbXTqb3CLENKVmEpZavKfJgSNsqWPRUB3HAQqPd7JLG6hBPNkY1Q__&Key-Pair-Id=K6UGZS9ZTDSZM c1312f6a379f95a008a7cfb9ec058e5e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Digital photograph Physical Dimensions The actual physical size of the original image 3072 by 4608 pixels Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Al Zaruba Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Photograph of Al Zaruba in his former studio at the Cork Factory in Baltimore, Maryland. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-06-04 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Al Zaruba Artists studios teachers https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/0d0ddae46e2e433749c27186ab7aca29.jpg?Expires=1774483200&Signature=bbT1xT8ojTrKlC%7EJqQwMztVMCwEHwol3HQYR9Av0SPq7IQtV0SrbKKrbQCu0IcOOXKyxsSRimEGdnEFKwsegS-tyN1MwixlErM326GAmh83z9rIgz-uG4WTJdFp9-7ROmYxQmiiciMABqVumy6U03xREuO2x4bU7oMWUevFvw7gGPuo%7E4HGxSttWm0EZra6bd4KHzkFZrY3u%7EIICDu3dBaZLEs4yRYlPdCyZFdHGgzvaoZeDlFgvAQf7BnBn24TMatfzqtK0Hkhf1a5uNyDZTQ58N2D1dlJEnOXw94v2xNQSZs6LqAImgYPkNKD%7EcupkG0hclJW2vNYZiyrjNynnIQ__&Key-Pair-Id=K6UGZS9ZTDSZM 80bf62ed08c8def680f03a13b96e5aed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Digital photograph Physical Dimensions The actual physical size of the original image 4608 by 3072 pixels Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Paul Moscatt Subject The topic of the resource Station North Arts District artists teachers Greenmount West Description An account of the resource Photograph of Paul Moscatt at his studio in the Cork Factory in Baltimore, Maryland. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-06-11 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Artists Paul Moscatt studios teachers https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/abba95a03158556e711482214ce13ba2.jpg?Expires=1774483200&Signature=L6jfStx9tCX31YLz0XIO-ZCC69Fyd%7EvSvFHBN3oofR68BqLuc9eafwrXac-szu92E1JXz03anC8gPvYsM6WHPmFheH5sTk-l4MTSSz1R7Q5adHNQbsjlS9%7Es5CyEs1l0crDEC%7Es3BpGdyxS9sjU40VOIrJ5QIh9M-gwtfWzRHaOxfuQxfPlOcwhCYUMvLbwUo0FjPxLxVrDH-W4b2KCl2E7i817yjHfhbXNZB6wsfAG3zrq%7EKftG-Q10SCu96IRiOsDhYpVhpIbwcpol4OPGuTXHxrRqpN3pys1iHefCGA8-VuhNgESO37qDbDUj8R9pncctoq4uyolHv0hfhpg4Tg__&Key-Pair-Id=K6UGZS9ZTDSZM 129313eacf4672aae25e37eca00d0010 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Digital photograph Physical Dimensions The actual physical size of the original image 4608 by 3072 pixels Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Carlene Moscatt Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Photograph of Carlene Moscatt with a display of her artwork in the Cork Factory in Baltimore, Maryland. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-06-06 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Artists Carlene Moscatt studios https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/efb1bdd5b03aa00be1b4934cc1531496.jpg?Expires=1774483200&Signature=n3J5IHxQ1Fwfcs-FZtZpf1f0lU-6cpLDb-YQLGVM69n52OtqM6u7XR6vDWjQ6qdni2KXWaG-UOVaPkpvATDXcTB1k2mXk7EGuArdxCi2Ho%7EjjwDi-RpT2GgqBqOq6kFTU2xRbLF4V6p1PthgXmDOEDpUto4E2teVLiQv011GVqE%7EMN-kuOWehBxRel6kC7-gpdiKxWwNK2MLGVz1NH2p5%7EJnfD3ySjVPRkYwGHFCffvo1HHs9a-GKA9dQ4hNogWmDIbIsBCHRb7veKLrH-V7hy-C18Lci%7EJ1mwPiYPDQs2PP1nWdC2bQukOW2u5ifhEzORfnsekgOFfoPJKtDQ9byQ__&Key-Pair-Id=K6UGZS9ZTDSZM 1de26cd71736d420c1a7be43183f6c63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Digital photograph Physical Dimensions The actual physical size of the original image 4608 by 3072 pixels Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Nancy Linden Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Photograph of Nancy Linden at her home in the Cork Factory in Baltimore, Maryland. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-04-03 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Artists Nancy Linden studios https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/c2e553e75faad05555fdcfe7100a82cd.jpg?Expires=1774483200&Signature=SYea7w8nmyACb7EM9QlfgoR7bGmMpzQvrJY1s8A0titD4lopu9mhkgfKQezwgAQ4e7gkxDLJtsEmZMBWsMLi6uYcqSiwwzM9-B8H30pAR29e2lco4383FiREY9vW7KmZPSNU9-KiSeSxW4IRg0Tz8idB5iBBJVFs4HxQb1M-ok8KeVrMcXFO4duMJOt1Sz3%7E-MVYD6eEqYSzCdPXDFmSmv%7EdIfkpUK5joNU99e-yv418aaN4Cya0v4b-Tl5OeBA2Ig28OKWNYi3mK77C6qxtZMyxl1rn1rswFWQul4CYsSfmqe9G5K6bbuyTKOPCCM%7EFf62O8-MVDAB9iCf0fFKuug__&Key-Pair-Id=K6UGZS9ZTDSZM e62680ebc7639fa8096bb6a36941a1ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Digital photograph Physical Dimensions The actual physical size of the original image 4608 by 3072 pixels Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Louis Linden Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Photograph of Lou Linden at his home in the Cork Factory in Baltimore, Maryland. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-03-19 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image building managers Lou Linden studios https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/1b976f3b95687b0939f6539232095a3b.jpg?Expires=1774483200&Signature=pTrAhYESJPRNZPha3qk-Wn7OJymae%7EuXXRZOwvZ7n5D1dALeaagZHKOFxgucuKVrbbdvGL5G28ibsqfmT7hVAKS6XLS5vNA6DbysIIxYGM1T5Qz0KqLtFcPzvDs4heNrmnvNnLYfBmltx57zI25yj%7En2jyF8alkP9bZ6etqDe5Lvbbo%7EOgq-rXiIff399ZrVV4IG8FYZvOYUPbk6HrawuXzmt6ce16t0m8uSC90pcMKWKnaSgbWyoNkZvddECU3S2fUOKk%7E5ZzgYXdR1s3mg2kA1Xhz6iE4Md8CUksHX0HVcMLMCRAkyKU0P46ZhDhZRK-b1ZbuxWu6khWy476aC0w__&Key-Pair-Id=K6UGZS9ZTDSZM e552cd958ac2bc7259db8fe73ff38de5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Digital photograph Physical Dimensions The actual physical size of the original image 4608 by 3072 pixels Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Bob Levine and Kate Thomas Subject The topic of the resource Station North Arts District artists teachers Greenmount West Description An account of the resource Photograph of Bob Levine and Kate Thomas at their home in the Cork Factory in Baltimore, Maryland. (Kate's hand rests on a large ceramic pot, made by Bob in his adjacent studio.) Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2012-10-06 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Artists Bob Levine Kate Thomas studios teachers https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/5ec0f8cf8876efcd28867d0f4fb6294b.jpg?Expires=1774483200&Signature=pR4e6T1HMnA8lv8oSAUHLH3Smc2C4htnaVLb2gbcWFeexczqagAfHOkkq7rkFnsT7bNFFKDLy7UOqzW3Fd%7E1mqOYSKrl8k0r1ijCdf-W-hkpuzktnoR6to3QQUejkETO2aDitF2MuSyzLEiBaLoD9iLRN8XT3sO1W5MuaOPyhXCy0BUdfOfjv-826Zms3tHkQrXPpfWs4ZvFxjS1cRyywYj%7E9wAjoylUj5cKVFn321fh8i%7Eji3nHlm3--xfwr1N5XadFdek%7E4dIRhEGUlzvqklkclKfDX%7EGeiXECLsQht3sWaEg9V4%7EV7CCphQrng4Dr7jc5oJfullLXY5xJybzRcg__&Key-Pair-Id=K6UGZS9ZTDSZM abf0e74a23ecff46ba48c0162c7bf940 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Digital photograph Physical Dimensions The actual physical size of the original image 3072 by 4608 pixels Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Carol Higgs Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Photograph of Carol Higgs in her home at the Cork Factory in Baltimore, Maryland. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-04-10 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image activists Carol Higgs studios https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/86acc105218b304157b2b85db00dfabd.jpg?Expires=1774483200&Signature=b9yX8C9p%7Er%7EiDU3G4G1dMcHyJiyMzx02YHRpd79KMdzq8ENzv2R7pmFj1UnVed9DRXSL-UpU0OrgZG5soslnY2LuwKLNXEfJxSp2OTZtQ4IfRyVHEvUWyqBcJ4mh4Z31GT9S-r6zEAWuRYN5-t8qIbeG5DNfHZc-yfa07uM-EHt9A7I6QoI2V1Qule5gTqqtFhe12QLmTh6fExEg%7EELiCTmv6XBYeGOiZCCgIgLR1GvTpA5ptX46f9VaoTWaZduvYrz3iqWrRIk9PFl-ny4eyzgHVw-9om-ckmg5Mp%7Eis49MwO9ijx1yKm%7Exsi3CCPX5Szfknu6u6d4EplsS9uAWCQ__&Key-Pair-Id=K6UGZS9ZTDSZM 8ce905b3a2ddb7b514220395a4e5ff84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Digital photograph Physical Dimensions The actual physical size of the original image 4608 by 3072 pixels Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Dan Herman Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Photograph of Dan Herman in his art studio and home at the Cork Factory in Baltimore, Maryland. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-06-03 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Artists Dan Herman studios https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/54b4f47613c90a8fccfe5888a7f067aa.jpg?Expires=1774483200&Signature=GAMHhjzD2UO7WrTAZcHVrBraCog5kTo9PwTIxpImKrb8ZFD06jjsl22weRiweN8AiOE8Ml3RxHRRD00T6w2CrR5XagHedzqf146fo1SFhwx0L8QYQF1%7EtN0dW5dxOJbUfPsX2S6f4G3LVVT3-v6zS8bDpl3SsWknOugi%7EWHqrgJzzEsNIYWO9IU1g-FoRbPPc6xcYj-FlfLpAgRU05TtrPVinIh9HBqviZkLr10kE82LVnTIqFSGJRWBrDappDzvgk-xihIGroXemo%7EGPJkA8Y6kbed5TEpQUN2fJlHVPh6cEf%7EktaaI5gvNcY6xUO89cwSB9IbZ%7EIioCZVUdWHR1Q__&Key-Pair-Id=K6UGZS9ZTDSZM 583a566640d151c32af103aa86c6cf72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Digital photograph Physical Dimensions The actual physical size of the original image 3072 by 4608 pixels Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of John Ferguson Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Photograph of John Ferguson in his art studio at the Cork Factory in Baltimore, Maryland. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-07-11 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Artists John Ferguson studios https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/3efde8621adfd90e4f9e721fc565545d.jpg?Expires=1774483200&Signature=nSccGzHkezFe6vZC2bHkQh2JWZR8rsyMhjEU4zGyefKmKl%7E3zaArXTSz5XjSgTyaNzlEGbRHEYHbEX3PN3ssZYvKXNFWetu9qUMTEU4i08LRjyz%7EP0U2lZnJ9WkOgChMBpG2UY7yei2cfUj5fo6chg-v40GabNJdl-OUgkr0eaK7qfKXig%7Ezc81NFJIhaakPtgjGg6B0-nigShg6qI-Ct4hfEJfSi28mn5nViz2YBmRkXX17EtEna7ECJ%7EpSEgbtUrgw6gAPMsLEy5dRsxjTPZDscTdWeD-FKlm5AtBuyv-qEs9M%7EQ1Q8JOhJmlJieOReCsbCKpOuL266BFZ4uVu%7Ew__&Key-Pair-Id=K6UGZS9ZTDSZM 18ae75f09ed10e9eec69a7caacd931c9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Paper Physical Dimensions The actual physical size of the original image Unknown Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flyer for Pyramid Prints & Paperworks, Inc. Subject The topic of the resource Station North Arts District artists Greenmount West Description An account of the resource A sample page from a Pyramid newsletter that shows the interior of the Cork Factory in 1985, as shared with Aiden Faust by Carlene Moscatt during her oral history interview on June 6, 2013. Creator An entity primarily responsible for making the resource Pyramid Prints & Paperworks, Inc. Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 1985 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Carlene Moscatt Helen Frederick papermaking Pyramid Atlantic https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/be4165902d27c8f706c2c04477860a9a.jpg?Expires=1774483200&Signature=kgN6sR-8d2keekmoqhctiaIT1cUg0LFRlCwwKqwlmeVb7UtMpzuemoQAybGn7ksj5NKfKiY7K-uEzkqe4EgfkGWbIVEHzwtz7wSbwMMgsXEeUZoLUBS7stppG7f3QEI9qjaoMg9T9rJ8NrFxWWN4n9vY8d9HWDPOzqRkwu1L9XZvQ-2Dxa-JGLHQ55NOjFLZUkR8XeRE7ncIh6TL96oHi6MDeK4B6r9wOH6x5TsZ3YNcEIpPgA9SXa9MkSA6VLQV72VtCsZSIvMTejjJ02tGpuXaa5IgiO08jIq%7Er8%7Ee5Evo%7Ej8TESyw5YyHxQQlAjZqKnlK3oGmVDUGTVn8Mo0dEg__&Key-Pair-Id=K6UGZS9ZTDSZM 71fc92842e0e41a20421c7c995725f08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Digital photograph Physical Dimensions The actual physical size of the original image 4608 by 3072 pixels Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exterior of the Cork Factory Building Subject The topic of the resource Station North Arts District Greenmount West Description An account of the resource A photograph of the Cork Factory building at 1601 Guilford Avenue, Baltimore, Maryland 21202. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2012-10-11 Format The file format, physical medium, or dimensions of the resource image/jpeg Type The nature or genre of the resource Still Image Cork Crown and Seal Cork Factory https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/a051539238520a70de24a64357fbe2d6.mp3?Expires=1774483200&Signature=GBV18cp%7Egbog%7ENgTgSSLXC74XBQCLsqMV%7EFbrL2%7EvaE1oC4g%7E--WAxDkwP2-Pfk2rpTAhgE3WYfNlOmtlU%7E0X-R3fVAaalTrnIByX4dMAcsveUa1umO2eus%7EiVaU2zwQO5kwuqnVCfXW6GjffEswC8WRhn7C%7EeRfR4Z5dWVRiLodAoWXiQsRwSPad-QEjYTGp1JWTwuvg6QLmy182ajkILfSAy1zPDQNyqOpS7TXfCzPRqdRhW2B0btD50Spf8pA3KBxAEi4gGztgroEUG8E%7EIi-fd3zNiJfIeJGVFGY5W0GUxzr%7EB-y2ROF4InNGf160OWjwSyj2mQR4%7EBu0tedKg__&Key-Pair-Id=K6UGZS9ZTDSZM 3e67c9e7c03e3b7ebfb7e22aced31529 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Aiden Faust Interviewee The person(s) being interviewed Al Zaruba Location The location of the interview Baltimore, Maryland Transcription Any written text transcribed from a sound AZ: So here we are in the Cork Factory on the top floor of the penthouse, as you would say. This place has quite an amazing history as the Crown Cork and Seal complex, where the bottle cap was invented and a bunch of other good stuff. I’m Al Zaruba, sculptor, visual artist, and teacher at the Maryland Institute College of Art [MICA]. I came to Baltimore in 1988 for grad school. Ended up becoming the assistant to Salvatore Scarpitta, who was the artist in residence at MICA for about thirty years. Internationally acclaimed Arte Povera artist who was with Leo Castelli Gallery in New York. And Sal is still much more famous in Europe than he ever was in America. So he asked me to be his assistant. I worked eight years as his assistant here in the Cork Factory. At that time, Sal’s central studio was in this place. A lot of amazing people have come through this place because of Sal. Exhibitions. I installed his seventh appearance at the Venice Biennale and I think it was 1991, 1992, something like that. Which is another story in and of itself. But at one given point, he had over half a million dollars’ worth of art in this space, which are all now in major collections. So there’s this long tradition of that. I was Sal’s last and longest lasting assistant. For those that ever knew him, he was a legend. As one collector in New York said, “Whenever Sal walked into the room, he sucked all the air out of it.” But back to the origins of the Cork Factory itself. This is where the Maryland Institute’s graduate program began some years ago. Before it moved into a more permanent location, it was rented here from Weant Press. And Weant, in and of itself, is quite an amazing old-time, from-another-age printing press. A labyrinth. It was downstairs. Quite an interesting space. But after MICA moved out of the building, a well-known painter [moved in]—Rita Beler, a fabulous beauty, from all accounts. I never saw her but I heard a lot about her, her and her wild hair. She was known for painting giant canvases up here in the nude and leaving the studio door open. [Laughs] But evidently she was built like nobody’s business. One of the people that came to buy a painting was Buzz Beler, the owner of the Prime Rib complex. And he ended up marrying Rita. That’s another story. So after Rita married Buzz, she moved out of the space and Sal, who knew Rita, moved in. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) Three minutes and forty seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On the Origins of the Cork Factory: Al Zaruba Interview Excerpt Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Excerpt from an oral history interview with Al Zaruba. The interview was conducted in Baltimore, Maryland on June 4, 2013. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-06-04 Format The file format, physical medium, or dimensions of the resource audio/mp3 Type The nature or genre of the resource Sound Al Zaruba Buzz Belar Ellsworth Weant MICA Rita Belar Sal Scarpitta studio teaching Weant Press https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/7b1251c2c5f1c524234cf3c5f0d5da5c.mp3?Expires=1774483200&Signature=oBl0vI9ewvfrRICay%7EPVeFFI3Bb45YNBuVmWxFot5oMmYkOZSkKRDAEEYPkxwpEeNkT85AhbcsJC9r58nOodh0P21Cy540ULspD%7EJGGPBy0jA0T%7EuLsk7-LqgG%7EyxgVoRZpyGK2Iuc7oC1cg0rqtjJKTkKcLuRc15xDHe9zipxHOFBr235CJ8Os8BH2QjLpgrW1cQFEnvpZB3tz8S2H-MNv5AkrYwlFJF-TUtjwD77b%7EbhKGazTZKoc0CaYroMANAoFlPGToiqqpLysbESGyGc3jHN6hvvn0I6M34x1SSBQWWKI17uRNBb%7EC0K5Tpm-FZF9OvOKjr%7EGTkZom6rHcyw__&Key-Pair-Id=K6UGZS9ZTDSZM b831d1f0477884eaf97a57d91a7714a6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Aiden Faust Interviewee The person(s) being interviewed Al Zaruba Location The location of the interview Baltimore, Maryland Transcription Any written text transcribed from a sound AZ: After Sal moved out, and Sal had taken me to Italy five times during the years that I worked here in the Cork Factory as his assistant. I mean, my God, the time that he was burning tires in here and we were pushing black smoke out into the atmosphere, and the fire department showed up and they were really furious with Sal. At times he would mix all kinds of strange chemicals. Incredible stories about some of those things. He was a maniac; larger than life. Something almost mythical and very gregarious, outspoken and just an amazing human being. He was my primary mentor and a huge influence on generations of artists that came through MICA. So when he was here, this was quite the place. After he moved out and up to Pennsylvania to the place he had there, and into New York, back again. He’d been in New York, but he returned to New York. He kept a duality of places. I had the extraordinary opportunity with the other artists in the building to buy the building from Weant Press. It was a whole new era. [Ellsworth] Weant had an offer of $400,000 for the building. We bought it for $200,000. We asked him why he was willing to sell us the building for half the amount, and he said he had more than enough money. His daughter was set for life. And he liked us. How generous is that? Pretty amazing! I loved him. He was a good, godly man. And compassionate and just fun to talk to. Because he was full of stories, many of which I’ve forgotten. But because of him, I found out about the tunnels that run underneath the Cork Factory down to the railroad tracks. I’m the only person that I think in the building now that has ever tried to explore them. They’re extremely dangerous because the walls and roofs are semi-caving in, plus they’re filled with spiders and all kinds of other lovely things. Yeah, in that amazing space that’s behind the Cork Factory. In the years that I was here, the Pyramid Atlantic [Art Center] was born here, one of the most important residency programs on the East Coast, if not America. Helen Frederick was the founder of that, and she was downstairs. Also Dorfman Waxworks were across the other half of this floor There were times when I’d come out of the elevator and see some guy standing there with a gun. It scared the holy shit out of me, only to find out it was one of Dorfman’s figures on the verge of being packed out to some museum. [Laughs] So there was a lot of stuff going on. In the years that I took over after Sal left, I began to throw a series of parties that kind of raised my notoriety or profile in Baltimore, along with a lot of exhibitions. My shows were well received. Several critics followed my work. I got four Maryland State Arts Council grants. Got the first of my two Pollock-Krasner fellowships, which is a nice big, fat chunk of cash each time. They no longer give two grants to any artist. They now only allow it to be won by a few in the area. So, la di da di da. Sold a lot of work out of here. Was with the Gomez Gallery for a while, which was one of Baltimore’s top galleries at the time. It’s since closed. And I showed overseas. Showed in India. Showed in Egypt. Certainly showed in France. And of course, through Sal, showed a number of times in Italy. Most memorably in the Italian Alps, a couple of great shows. And put out a couple of editions of artists books through Edizioni Pulchinelefante in Milan, which is an invitational thing, very prestigious. The press is about 300 years old. And it’s exclusively for artists. How cool is that? So because of Sal, I ended up going to New York to the Space Program for a residency for a year at Marie Walsh Sharpe Art Foundation in Tribeca, and was on the fast track for a major art career. I was doing about eighty receptions a month, which is just crazy, looking back at that. Doing all the right things, jumping through the hoops, and quickly discovered that I really did not like the New York art world. It was very brutal, backstabbing. So I made a critical decision just short of buying a fantastic studio in Tribeca for $30,000, which I now regret not doing. But it wasn’t meant to be. I came back here to Baltimore and settled into this place. And for a while I called it the Arctic Circle, because Sal had once said, “There are times, Al, you have too many exotic ports of call in your work. You need to go to the Arctic Circle. There’s nothing left but the sky above and the snow below.” Words of wisdom. So I began to strip my work down to the dark period, to the burned, to the crushed metal and all of that. The scary stuff, which was why I was once told by Costas Grimaldis, “Very interesting, powerful work, but nobody will ever buy it.” Well, the most horrific of all those pieces hangs on the fourth floor of my major collector’s house. She loved it. She totally got the piece. And she enjoys the fact that it scared the shit out of people who came up the staircase. [Laughs] So whatever people decide to say about your work, I learned that if you’re being truthful, if you’re being authentic, if you’re really trying to say something that’s powerful about the human condition, keep doing it no matter what people say. Just be true to yourself and whatever your vision is. And that’s something that I think really was birthed in me in this space. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) Six minutes and fifty-two seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On a New Era in the Cork: Al Zaruba Interview Excerpt Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Excerpt from an oral history interview with Al Zaruba. The interview was conducted in Baltimore, Maryland on June 4, 2013. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-06-04 Format The file format, physical medium, or dimensions of the resource audio/mp3 Type The nature or genre of the resource Sound Al Zaruba Ellsworth Weant Helen Frederick parties Pyramid Atlantic Sal Scarpitta tunnels Weant Press https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/9ade3f54094e22aff92694c4ecf47fbe.mp3?Expires=1774483200&Signature=mpTVKXKlPllHZohMcGuOpVQzYFtplRz4wgbU92BxN6ixNccq3yPce1taX%7EIM57fjeTs%7EfNyLb6y6YSoyXvfIjseLri8JLCTRs-SkXNDmsY9lTlA8l2aUpz9QcFGdCdfrF5Fz0hTGEJ%7Ez-ldNbNHhlMd9ScHfn8Q%7E0RKRJlTqzweJJzKP8wJS4r7k%7EeEKpn95-k8PvJa83DOdncFp58nLHOVVrcGmAJCm7SsT1nIUUPhkQTuw67dJxzTl7nu-tgV5IZJLeVxOK2iqadJf4%7ElWitghDnQF-u8kljCWicZqHi6fHpgCRCIfpnNoEYhwvZ5KZ8w0%7EsTFU4Z7DM%7EeJE7aZA__&Key-Pair-Id=K6UGZS9ZTDSZM 26c2f232e13b288b791b41a3a154eec7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Aiden Faust Interviewee The person(s) being interviewed Kate Thomas Location The location of the interview Baltimore, Maryland Transcription Any written text transcribed from a sound KT: So, for instance, the gallery—as much as we would hold that open for gallery space, for art shows and things of that nature—it also was a huge place for gathering people. The stuff that has gone on in that gallery is just amazing over the years. I mean, all kinds of political organizations have met there, had meetings there, gatherings. I remember that we had Bernardine Dohrn from the sixties come one time and speak to us. There were just all kinds of things going on around here that revolved around it. So there always was a combination of activism [and art] here. So it’s the bent of the people in the neighborhood and us, in particular, but also the direction of the gallery for a long time. I think it’s kind of a nice marriage, probably not an unusual one. Artists have been involved in political activism for [a long time]. Nonetheless, I always thought that was a good part of it. And, for me, I was probably more interested in that direction, to a certain extent, than the arts. I like looking art, you know, I like art. I have nothing against art. [Laughs] I don’t do it, you know, I probably have less enthusiasm for that. My activism over time became—we sort of all went in different directions—but mine became, over time, sexuality. I took on the mission many years ago to create a more sex-positive world. At least the world that I have any influence over, it in various ways of teaching and clinical work and speaking, just all kinds of stuff, joining organizations and so forth. So I used the gallery a lot for those kinds of activities. And all of us had different areas that we were interested in promoting. Bob did a lot of his work up there in the gallery, in our building, you know, in terms of promoting physical, emotional and spiritual health, through Eastern wisdom and Tai Chi and so forth. We did Tai Chi classes here for years and did workshops for people up in the gallery for many years, on and on and on. Dennis was involved in a zillion organizations, I can’t even tell you how many. I have a book that lists all of that. [Laughs] But Carol could tell you. So that’s been a nice marriage. When Dennis died, we did a memorial service up in the gallery. And Dennis had directed it, from before he died, but also probably a little bit from the grave, making sure that we all did it just right, just the way that he wanted it to be. One of the things that he wanted people to do—it was a huge gathering, it was a couple hundred people, all smashed into the galley—he wanted everybody to talk about their work in the world. Basically, their activism. And that was really interesting, the way that people see what their role is. You have a passion; you know what I’m talking about. AF: Sure. KT: The archival pieces. It’s nice to have people directed in all kinds of ways. AF: And the fact your community here, people support each other whatever the overlapping passions that you have? KT: I think so. Yeah. I think it is. I think it is in really in a sense taking that all seriously, that we all have this important work to do in the world. And although it doesn’t all intersect in a sense, it all forms part of this larger picture. Certainly the work that I do is not what other people see as activism, but it is. It’s a corner of it. Or whatever anybody else does. So yeah, I think there’s a lot of support for it, definitely. And we’ve all been sad to see the gallery go, because that formed the space to make it all happen. AF: Yeah. KT: But it just became reality and we had to let go of it. So that’s been a big change. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) Four minutes and twenty-seven seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On the Gallery and Activism: Kate Thomas Interview Excerpt Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Excerpt from an oral history interview with Kate Thomas. The interview was conducted in Baltimore, Maryland on March 2, 2013. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-03-02 Format The file format, physical medium, or dimensions of the resource audio/mp3 Type The nature or genre of the resource Sound Dennis Livingston galleries Kate Thomas life's work sexology Tai Chi teaching https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/a06810d5b957ee95edc4901591ad7251.mp3?Expires=1774483200&Signature=fEpEyr6EvoE3weOSDp38UeV1CxCjhvyaCyq%7EgBtJpDXtP7E7aEykPBBoSJG8ao9CpFoEf75ECZobgM%7EtINEbiTws7LIGNcXL7rYCpRzuDECECM72BacxOZF3BF6ptopb-Fowe%7EUQo8-7ym%7EiZjEVX%7EkBhFJg7RGTV3ZDdqyVWQ51vseGaZ2WECdF5pYJxG3mNVw%7EWfbmUr2IMEsu1khPGkl5fFPxDi68PcMlfHP1pQNdaaIKphfePIUgqb8AGQL0f3JIvnCD1OSI6VW2iInn7cj0xXPQrU6WKOzgHNeQac34T-1o2zyxlcJlplnQHfsVuucwYRi-EYKaEJykX-IIJA__&Key-Pair-Id=K6UGZS9ZTDSZM 75df6f5bb2f6183278a8a556dd065fb2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Aiden Faust Interviewee The person(s) being interviewed Carlene Moscatt Location The location of the interview Baltimore, Maryland Transcription Any written text transcribed from a sound AF: What about your own art-making practice? CM: It’s evolved a lot over the years. Since I graduated with an undergraduate degree in painting and then a masters in crafts, I found an ideal medium probably around 1982 or 1983, when I heard about a papermaking facility. It was in this building. I was very interested, and I did sign up for a few classes; that was 1982 or 1983. That was called Pyramid Prints and Paperworks, and it was upstairs—that whole space where the gallery is now was that facility. So I did paper almost exclusively for about twelve years—handmade paper, in which you incorporate art into the ancient art of papermaking. As you make the paper, you are actually working on the art. Paul? You’re making noise, Paul! PM: [Sawing wood for a frame in the background] CM: Paul! PM: Got it. This is a studio! CM: Well, anyway, the art was all paper and it was mostly abstract, because the medium forces you to be more abstract that representational. These are just some of the things I did up there in that studio. AF: Oh, yeah. CM: Almost all my paper works were done upstairs. AF: A couple people have mentioned Pyramid being up there. CM: Right. AF: Would you be willing to describe more what that was like? CM: Oh sure. In fact, I brought a lot of stuff here to do with Pyramid. AF: Yes, I’m very interested in that. CM: Yeah, uh huh. AF: Thank you. CM: Today, Pyramid is in Washington. The woman who is the founding director, Helen Frederick, she’s retired as director now; she’s like the director emeritus. But this is the current website, and it’s now called Pyramid Atlantic. It’s in Silver Spring. So I brought this for you. [CM hands AF a computer printout from the Pyramid Atlantic website.] This is Helen. She’s the director. She’s a professor now at George Mason University. AF: Thank you. CM: And you could probably, if you’re really interested in that history, you could talk to her probably. AF: Yeah. Or even just your experiences up there. I’m interested in that. CM: Right. AF: How many people were up there and what was it like? CM: She had classes and she had newsletters—announcements of her classes. This is probably one of the first that I saw. [CM hands AF a Pyramid Atlantic newsletter to examine.] Let me see now… 1985. This is the brochure that came out with the classes I took. And there’s a picture of the Cork Factory on the back! AF: Oh, that’s awesome. So she was running it pretty much [by herself]? CM: Oh, she was a fabulous director. It was entirely her baby, you know. I mean, she was focused on that completely. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) Four minutes and four seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On Paper and Pyramid: Carlene Moscatt Interview Excerpt Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Excerpt from an oral history interview with Carlene Moscatt. The interview was conducted in Baltimore, Maryland on June 6, 2013. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-06-06 Format The file format, physical medium, or dimensions of the resource audio/mp3 Type The nature or genre of the resource Sound Carlene Moscatt Helen Frederick papermaking Pyramid Atlantic https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/727bbce45c71f51ed55d65d24573dd59.mp3?Expires=1774483200&Signature=ng0dNhh91qVOLuqZWcETbDlJXYzlal9xYyvVMvOxnkf3ru13STuNzYDgDRacxM%7EtuYWPHpC3%7E3raueEFJ%7EDM%7EUoOjaHIOQIlgG4sedEkt17QX9IuQbPOYREViBInBEKKSBzwD18qUNRxIH-mkPUb3MMpyNyH1pmndpJcsFf-kIA1F2LWI2YzMwp6UMTJ9Oj5rzdou9cK12SZr1tI0OPRNTyuJPiwTUAYtudf9BrlV8fLcho7x5ro4kP6cwY-6CGWOSO0trfx9751600iZoR1s1-hh4YceD9Gv774qSjmHwbYAZXmbdL4H53NNFkf5%7E22OimiTVMkAD790DHBD9wz4w__&Key-Pair-Id=K6UGZS9ZTDSZM 402be06a7ca9a73a0a179cebef498479 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Aiden Faust Interviewee The person(s) being interviewed Paul Moscatt Location The location of the interview Baltimore, Maryland Transcription Any written text transcribed from a sound AF: I wanted to ask you—before we turned the recorder on, you told me a little bit about some of the other studio spaces that you had around the city. PM: Yes. AF: Would you be willing to talk a little bit about that? PM: When I first arrived, the big choice of finding a studio—one of my friends from Yale, Michael Economos, had a studio in 206 West Franklin [Street], which is between Howard [Street] and Park [Avenue]. I saw that there was space available under him, so that’s where I first got a studio. I had that studio from 1966… I had that thirteen years as far as I remember. Then I actually moved my studio from 206 to across the street, and I even forget the number, but it was a studio over a liquor store. The artist before me in that place was Israel Hirschberg. He was teaching at the Institute, but then he left. Eventually, he went to Jerusalem and started the Jerusalem Art School, which is still going. It’s very active. So anyway, I was there seven more years. And then I had to leave and I had to pack all my stuff up. I was looking for a space, so I packed all my stuff up and Howie Weiss allowed me to store my belongings in the loft that he was renting. Then I had a heart attack and a bypass. During that time, I was able to sublet a large room in the present loft I’m in. And I subletted that from Dan Gorski. So we have to kind of go slow here, because this actually includes a lot of the Cork Factory history. I will say that it was the easiest move I ever made, because all my stuff was packed up and I had my assistant at MICA help me out. He and another person rented a truck and moved all my stuff. I didn’t have to lift a finger. AF: Nice. PM: Meanwhile, Dan Gorski made painting racks for me, according to my design. Dan Gorski, at that time, was chairman of painting at the Maryland Institute. So I’m not sure exactly when he first got this space that we’re in. This space is divided into three rooms. And remember, I was only subletting the first room. All my belongings, all my paintings fit into that, and I still had good space to work. And then Dan eventually left to take the directorship of the [Wade Wilson Art] in Houston, Texas. So he went there as a director. And I took over the whole space. Eventually, as you probably have heard, all the inhabitants, or a number of us bought into the spaces. So, obviously, for the next ten years we were paying a mortgage. That was eight years ago and we’ve been here since. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) Four minutes and thirty-five seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On Finding a Studio in Baltimore: Paul Moscatt Interview Excerpt Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Excerpt from an oral history interview with Paul Moscatt. The interview was conducted in Baltimore, Maryland on June 11, 2013. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-06-11 Format The file format, physical medium, or dimensions of the resource audio/mp3 Type The nature or genre of the resource Sound Dan Gorski Howie Weiss Israel Hirschberg MICA Michael Economos Paul Moscatt studio Yale https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/c99b91d749969336b991f681a3b82522.mp3?Expires=1774483200&Signature=T9dGiuKOmZvLLN-gv5WR-LnyJJugqkrewhEIQdFYE8NF98GFhppvBkFvfmLZ5y2O%7E1WhYiS6D%7Ega6haCejHu5jx37tHBC3uqVSro2Ns1QQ82DiUruzov-JruwYfq6ruKzZ%7EAWU4toKpx0KyW0Q0WAANkilPqQbXKBv-iGgcFHivXA4kQbl-e79MC7KvXHADwv8Vg1oAn%7EbUsxCD3uzsB3aa6DyBG4A6szeP72N5vQclSUxKhOg4GnCDFmB2xvBpjYZHz-XIvSF0O7dwdEVKgYFiOPDbhK3RalBHmBoqzIOAC%7EIj6LB98uemKVt2EMKwJL94YmxOW64PuDC5Gm5Jlng__&Key-Pair-Id=K6UGZS9ZTDSZM 20eed234f1a2a1cae28eaf34be07d233 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Aiden Faust Interviewee The person(s) being interviewed Paul Moscatt Location The location of the interview Baltimore, Maryland Transcription Any written text transcribed from a sound AF: When you were talking about this idea of being an artist first, and a teacher second, you know, in regards to someone else. Of all the people I’ve talked to in the building so far, not as many have been teachers. I’d be interested in your experience with having so many decades affiliated with MICA and the painting department, how you kind of balance [being an] artist/teacher. PM: Well, when I taught, I always taught as an artist. But the skill of teaching as a teacher is that you are making sure your class is using their time and the experience they’re getting. Many artists will come in if they don’t have that feel for teaching. By going through Cooper Union for three years with the greatest teachers in some ways, and then Yale, another three years in residence, one year out, I’ve had a lot of teachers. And I think you learn teaching by having teachers. And then as you teach, you learn more about teaching. After each class, I almost want to write a book because all of a sudden, oh!—it all comes together and I understand. I have chapter one through ten, you know? I think that’s what happens at the Institute. They will hire artists. The artists nowadays have to have a Masters [degree], at least. You know, Grace Hartigan never got a Masters, but she got a number of honorary doctorates. On retiring, in some ways it was very difficult. The only thing is I would teach at night. Once I fell asleep, I would be back at the Institute teaching. I did not get paid for this, by the way. But again, just to go back to that one point, almost anyone in the art department at MICA comes up with the experience of being an artist and the sensibility of being an artist and that’s what feeds his teaching. So when you say artist/teacher, the slant between them is still what’s connecting them. AF: What is it like working with younger artists? PM: Well, in terms of educational systems, I always say that when you have a freshman class, they become family. Usually they’re the sweetest people to work with, because they’re willing to learn. Then you get on and when you get [seniors]… I started the senior independent program at MICA. No one knows that. But I was the one that actually started the program, because they needed a program for us to get the student studio space. We had to write a program. So this was the first official independent painting at the Institute, and that was like in 1979. I was chairman. I was chairman a couple of times, but I usually quit the chairmanship because I wanted to teach and paint and I didn’t want to do administration. So anyway, the senior has their bible already from someone else. They’re coming and they have their own experiences. So when they meet you as a senior, that’s a whole different category. It’s interesting that if you want to, obviously you need your integrity in facing the senior. Well, there’s going to be more conflicts. But it can also be very fulfilling, because you can see them on their own path. It’s kind of funny when you say, “What is it to teach young artists?” Well actually, when you’re first teaching, they’re not really necessarily artists. They’re doing art. So the whole idea is for them to find out what it is to be an artist. And essentially that same question is always open: “What is it to be an artist?” To me, I’ve never tried to find an answer. I haven’t tried to write that book, What is it to be an Artist? So that’s the big question. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) Five minutes and thirty-four seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On Being an Artist/Teacher: Paul Moscatt Interview Excerpt Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Excerpt from an oral history interview with Paul Moscatt. The interview was conducted in Baltimore, Maryland on June 11, 2013. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-06-11 Format The file format, physical medium, or dimensions of the resource audio/mp3 Type The nature or genre of the resource Sound learning MICA painting Paul Moscatt students teaching https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/17fde67041832496e8dfa7cc1490af25.mp3?Expires=1774483200&Signature=rBYe972pNzpKGJKJlJhqa8nO6D7-G2moIl0dDAc4NZQ6bZokk%7E5xR6w29NGixjyZC4DP2nVuLGLHX9ADARtTPQjUjx0fPGNziLJswok13-Hj0h3qbcB4JFfy3jLaN1x4BMSr2B5HtbH4xjanzF%7EpF%7EOwORthtmhNqYvqZ85wLA2NiuyEn3kQAZ-V03IIM6%7EMX3d-IP23A1QLMB5ky-wHeV5927vxSMRQg%7E2oSOLIvWXaSigUt%7ETp7oJJVEgEK6pyVmDR-ff1bfNJwWWkCmgAkfFrtc8kJRtRuPU1RUTn2qDxeSxxDi9BjyuOYVl45w9YPeYClcr4bLvaFr0mZBOdBQ__&Key-Pair-Id=K6UGZS9ZTDSZM 91e577a04f448ffb38c0f52bc4f66573 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Aiden Faust Interviewee The person(s) being interviewed Nancy Linden Location The location of the interview Baltimore, Maryland Transcription Any written text transcribed from a sound NL: My first exposure here was probably coming to a party. Logan Hicks used to have the whole floor above us, and he would have enormous parties and art shows. At some point, I came to one, and it was dark and dramatic out on the street. It was this lighted place on this really dark street. In the old days, the street was a bit hazardous. And then I had a friend who had a studio on the 5th floor, and I’d to go to his parties occasionally. And a bunch of us… Well, I don’t know how lengthy you want to get into all of this. In 1998, I guess, when Maryland Art Place was just moving out of their old space on Saratoga [Street], a friend and I were stuffing envelopes to help out, I’m not even sure what. But Peter Bruin, who was then on the board of MAP, was working with us and saying, “By the way, there is one show left and they are looking for somebody to just do something in their building before they leave it.” Janet and I said, “Well, we can do something.” So we got a hold of a bunch of other friends and it kind of evolved. There were nine of us. And it was this big installation thing that we all did. We’d get together and talk and talk and talk. And then we’d each go home and make plans and come back together again and talk and talk and talk. It was quite exciting, really. And then we installed it there. Part of the reason this is pertinent is because Logan Hicks—who then had the second floor here—was part of the group, so we met in his space sometimes. We got bits to use in our installations from someone in the basement. Anyway, that was a wonderful thing in itself. We ended up installing it. Then, the thing was, that we would continue to install it throughout the run of the show, continue to do stuff, and to do stuff to one another’s things. So we just hung out there. We lived at over at MAP and ate Kristo’s pizza on the floor, cross-legged, every night and virtually lived there for four weeks, or five weeks, or whatever it was. But anyway, those two things were kind of my first experiences of the building. I had a studio that I really loved in Pigtown, but it was getting way too small for me, because I had all this large junk around—like windows and wood and things that I’ll probably never put in art, but I love them anyway. And I was just falling over myself. I had to hop to cross my studio from one end to the other. So I really had to have a bigger place. So Al Zaruba—who was the friend that had a space on the 5th floor—was looking for someone, because he was working in the studio at home, and he was looking for somebody, preferably who was a friend, to sublet his space. So I started subletting his space. And I guess that was about 2002, I think. So I was up there. I adored the studio there. And then in 2005/2006, this space came open for sale, and we kind of looked at it and thought, “Do we do, or do we don’t do?” Lou, of course, said, “Well, you can hang an airplane in here!” And that sold him. I was more dubious. Anyway, we ended up buying it. So now we live here. Then Al put the studio upstairs for sale, which was highly traumatic, because I loved the studio. And we ended up buying it, in the end. So now I have a studio and a living place in the building. So that’s quite wondrous. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) Three minutes and forty-seven seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On Joining the Cork Factory: Nancy Linden Interview Excerpt Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Excerpt from an oral history interview with Nancy Linden. The interview was conducted in Baltimore, Maryland on April 3, 2013. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-04-03 Format The file format, physical medium, or dimensions of the resource audio/mp3 Type The nature or genre of the resource Sound Al Zaruba Logan Hicks Maryland Art Place Nancy Linden parties Peter Bruin studio https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/6c9d4c940a2344bea159d6b20cb55b00.mp3?Expires=1774483200&Signature=E2YkR9YA-52D3pI%7EqN%7ElqjST3goEX-D5ev7fP1UcwMLTdsqV9Z2kQ5a7qI-GPGL9sb1sEEgcX4f8IxObld6l4gqRvO4N9-sZ8YARe5cni6374feUDR-rovYhe9FfBs-rFntRe1RObcZMmM93%7EEDXEyIKUEhp503L1jub8zPoLKRwu0QBPYeHpCepAr4V9beIe4rpf%7Ed7dQOegIF3gm5-JmDjx5Ms1QUAoZuJt7NbNdw%7E6R59cThODVrXeya3SYkXa0SmsBkHCoJNySptN0bN2rWQpJg69giN%7EZ7eG5POgCGlSpEwAgZpTx5zZ1S8mYyyFccZxJPzNoB6v6QBObdcOw__&Key-Pair-Id=K6UGZS9ZTDSZM a97c94d5d310d278995d3204094e07b6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Aiden Faust Interviewee The person(s) being interviewed Lou Linden Location The location of the interview Baltimore, Maryland Transcription Any written text transcribed from a sound LL: I had been in here for about five minutes before I said, “You know, Nancy Sue, you could hang a fucking airplane in here.” And I had the airplane! AF: [laughs] LL: I was flying gliders at the time, and my flight instructor had pieces from two TGY4 training gliders from WWII. And I measured it off and I said, “TG4Y would just fit in here.” And, you know, I was hooked. I’d always wanted a space like this, ever since I was in college. In about 1966 or 1967, in Minneapolis, on the west bank of the Mississippi River, right across from the University of Minnesota, where Bob Dylan used to hang out and play in the early 60s, there was this old firehouse that housed a bookstore, McCosh’s Books. Old Mr. [Melvin] McCosh was like 85. He was retiring, closing up the bookstore and selling the firehouse. And I desperately wanted to buy that firehouse, because my father had grown up in that neighborhood. And I remember him telling me stories about what he was a tiny little kid, watching the horses tow the fire engines out of that firehouse. You know, vroom, vroom, vroom, the smoke coming out of the things. There was this volume, just something cathedral-like about it. I just adored it. But, you know, I was a scholarship kid. I mean, my day was complete if I could afford 75 cents to buy a fish sandwich for lunch. There was no way in the world that I was going to be buying real estate. So, it just went away. So this really fed into that whole thing about huge volumes of space. And we said, “Well shit, we could knock this sucker out in about six months and move in.” And I was real tired of living in a rowhouse. We’d been living in a South Baltimore rowhouse for about 15 years, and I was sick of it. So we made an offer. And there was at least one other couple that made an offer on the space. And they selected us. Not unanimously. But they did select us, on the condition that I would become the building manger. The fact of it is a number of them knew me from… Once Nancy Sue was over here, you know, you become friends with people. And having grown up in the building trades, I could do plumbing. And if people had a plumbing problem, they call me. When I was practicing law, I always used to tell this joke about the lawyer whose sink gets stopped up. So he calls Bubba the plumber to come fix it. Bubba comes over and tears all the shit out from under the sink and sticks his head down there and his butt crack up in the air and does his plumber thing and fixes it. He gets it all done and it works, and he writes out an invoice and hands it to the lawyer. The lawyer goes into fucking sticker shock. “Jesus Christ, Bubba, this is more an hour than I make as a lawyer!” And Bubba thought for a moment and says, “Yeah. It was more than I made as a lawyer, too.” And I never ever imaged that I would become that joke. But I did. AF: [laughs] LL: So, they decided having a lawyer who could do plumbing and running the building was not a bad thing. So Bob [Levine] was well and truly sick of having been the building manager for probably about eight years. So that’s when we moved in here. No, well that’s actually when we started working on the place. It turned out it took more like two years to fix it, not six months. We moved in here in 2008. And it’s been a marvelous thing. I just adore this building. It’s my own private historical preservation project. I think I’m really the first person who came to this building with a distinctly historical preservation attitude towards it. And I’ve kind of been going down my list of things to do to try and preserve the historic fabric. It really is a historically significant building. Because of course, Crown Cork and Seal were the people who invented the bottle cap. And, if you think about it, the modern beverage industry couldn’t exist without the bottle cap. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) Five minutes and forty-one seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On the Decision to Buy: Lou Linden Interview Excerpt Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Excerpt from an oral history interview with Louis Linden. The interview was conducted in Baltimore, Maryland on March 19, 2013. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-03-19 Format The file format, physical medium, or dimensions of the resource audio/mp3 Type The nature or genre of the resource Sound building manager home humor LLC Lou Linden ownership https://d1y502jg6fpugt.cloudfront.net/44124/archive/files/e8bbe83e1bc6d786aa03f2db9de9d3cd.mp3?Expires=1774483200&Signature=m5MGy-5Cf9JublnLFeeww73ijC-9egC35GYko56SqFWNsrBmVA9WtXrQpbr3Myv%7Ev4Rt8Lerf6MJDM6mlc3Ck2RbaKCspivtCco129TH2t9rlCREt4fQIQ2BE9flmrlQgr7dq19U4nmdiQOElcvVYz0icRkIE1q4zLMKVltP6Csp4Bgvj5m3kJaLPwuF6%7E1rTRydHxL3OYIXcLfMaj0wDvzRZ-IeZzsD%7EnsSrgi84yblfT36RrT9aQv8cIxTls9MVk5oouVgZWqB33UMPZySbVzgWCFQyKUwP7e3EXaj8wEln84DIlCSGk8SDtH%7ED%7ELbfnog14kXkRa82X1En7CmRg__&Key-Pair-Id=K6UGZS9ZTDSZM 3d8f51c071de2637dcf957af64ba536f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Station North Oral History Collection Subject The topic of the resource artists community activists planned unit developments Greenmount West Station North Arts and Entertainment District oral history public history Description An account of the resource This collection examines collective ownership of artists' live-work spaces in Baltimore, Maryland’s Station North Arts and Entertainment District. Interviews were conducted between October 2012 and July 2013 with artists and residents of the Cork Factory warehouse at 1601 Guilford Avenue in Station North. Topics include the history of the Cork Factory building, development of the state’s first arts and entertainment district, the process of redevelopment and neighborhood change, as well as personal histories from artists and activists involved with the project. The complete collection--which consists of 10 audio interviews, corresponding transcripts, and photographs of interviewees--is available through the <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">online collection guide</a>. Creator An entity primarily responsible for making the resource Aiden Faust conducted the interviews and took the associated portraits between October 2012 and July 2013. Aiden curated the exhibit in August 2014 and added it to this site in October 2019. Source A related resource from which the described resource is derived <a href="https://archivesspace.ubalt.edu/repositories/2/resources/112">Station North Oral History Collection, UB Special Collections & Archives</a> Publisher An entity responsible for making the resource available <a href="https://langsdale.ubalt.edu/special-collections/">University of Baltimore Special Collections & Archives</a> Date A point or period of time associated with an event in the lifecycle of the resource 2012-2013 Rights Information about rights held in and over the resource Use of these images is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image. Language A language of the resource English Identifier An unambiguous reference to the resource within a given context R0113-SNOH Date Created Date of creation of the resource. 2019-10 Contributor An entity responsible for making contributions to the resource Transcription of the interviews in this collection was made possible through the support of the University of Baltimore Foundation's Baltimore Renaissance Seed Scholarship Fund. Type The nature or genre of the resource Still Image Sound Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Aiden Faust Interviewee The person(s) being interviewed Lou Linden Location The location of the interview Baltimore, Maryland Transcription Any written text transcribed from a sound LL: This is the last generation of industrial buildings to be ornamented. When you leave, we’ll go outside and you can look up. There are these great Romanesque arches. There are carved faces with little carved lions and clowns and shit. And the whole two-block long factory complex was all built at the same time. And it’s all ornamented in the same fashion. And that went away immediately after that. This portion over here—this addition to the Copy Cat Building—was built in 1906. And if you look at it, that ornamentation is gone completely. It’s totally utilitarian. This is kind of the end of the 19th century, when your industrialists demonstrated their power and their sophistication by decorating. Even the factories are decorated. And the brick work, it’s exquisite brick work, it’s just really quite remarkable. It really is one of the last pure brick piles. You know, basically this is a hollow shell. The floors are supported with cast-iron posts that hold those steel I-beams. But structurally, it’s all masonry. There’s no structural steel in these walls at all. And there is no pre-cast concrete. Interestingly, the Copy Cat Building has a lot of cast concrete floors. This building does not. And I’m not at all sure why. But this really is, I think of the whole complex, far and away the most attractive building. And, indeed, it is really the most manageable in terms of its size. It’s only about 40,000 square feet, the whole building. And that makes it possible for a small number of impecunious artists to own it and keep it going. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) Two minutes and forty seconds Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On Architecture and Industry: Lou Linden Interview Excerpt Subject The topic of the resource Station North Arts District artists community activists Greenmount West Description An account of the resource Excerpt from an oral history interview with Louis Linden. The interview was conducted in Baltimore, Maryland on March 19, 2013. Creator An entity primarily responsible for making the resource Aiden Faust Source A related resource from which the described resource is derived Station North Oral History Collection Publisher An entity responsible for making the resource available University of Baltimore Special Collections & Archives Date A point or period of time associated with an event in the lifecycle of the resource 2013-03-19 Format The file format, physical medium, or dimensions of the resource audio/mp3 Type The nature or genre of the resource Sound Architecture Cork Crown and Seal Historic preservation Lou Linden masonry