Eva Anderson's Baltimore Dance Theater Collection
Dublin Core
Title
Eva Anderson's Baltimore Dance Theater Collection
Subject
Maryland--Baltimore.
Maryland--Howard County
Dance.
Modern dance.
African American dancers
Women
Artists
Dancers
African American business enterprises
Description
Eva Anderson's Baltimore Dance Theater Collection (ca. 1970-2016) highlights the history of Baltimore’s longest-running professional Dance Company, the Baltimore Dance Theater.
The complete Eva Anderson's Baltimore Dance Theater Collection at the University of Baltimore consists of 18 linear feet of photographic prints, organizational records, scapbooks, and audiovisual materials which are described in the collection database. From the complete archival collection, 36 items have been selected for this this online collection and are described in 25 metadata records in this online collection.
According to the Eva Anderson Dancers Ltd. 2004-2005 season program, the mission of Eva Anderson Dancers, Ltd. was to create and perpetuate American dance with a special emphasis African-American dance forms. The company’s repertoire included classical modern, classical ballet and classical African-American dance forms. It performed choreography by Eva Anderson and a variety of choreographers and composers. Members of the company took part in residencies in schools and taught public classes. Eva Anderson Dancers, Ltd. offered apprenticeship training for young professionals and developed performance opportunities for professional dance artists in Maryland.
Eva Anderson’s Baltimore Dance Theater provided a legacy of tradition and culture for many dancers in the city, who today consider it a springboard to their careers in modern dance. With funding from the Cultural Arts Program and other grants the ensemble provided opportunities for people living in underserved communities to train, display talents, and travel the world. Later, the dance theater moved to Howard County and continued to entertain the community.
Acknowledgements:
We would like to thank the Maryland Institute College of Art (MICA) Photo Department including the Chair Nate Larson, and Tech Manager Jefferson Steele, and MICA's Film Professor Allen Moore, for their assistance to Deyane Moses while she was digitizing collection materials for this project. We also thank MICA's Friends of Photo Grant for their assistance to Deyane with the exhibition printing.
Creator
Digital collection created by Deyane Moses (intern 2018-2019)
Source
Eva Anderson's Baltimore Dance Theater Collection (R0163-BDT), the Special Collections and Archives, University of Baltimore.
Date
circa 1970-2016
Rights
Use of the images in this digital collection/exhibit is governed by U.S. copyright law. The University of Baltimore Special Collections and Archives makes digital surrogates of collections accessible if they are in the public domain, the rights are owned by the University of Baltimore, the Special Collections and Archives has permission to make them accessible, or there are no known restrictions on use. Due to the nature of archival collections, rights information is not always discernible. The Special Collections and Archives is eager to hear from any rights owners wishing to provide accurate information. Upon request, material will be removed from view while a rights issue is addressed. Contact the Special Collections and Archives for more information regarding this image.
Format
jpegs/still images
pdfs/documents
mp4/moving images
Language
English
Type
Still images
Text
Moving images
Identifier
R0163-BDT
Date Created
2019
Extent
36 digitized items; 25 metadata records
Collection Items
Baltimore Dance Theater Fundraising Letter
Baltimore Dance Theater Artistic Director Eva Anderson informs supporters about the company's intentions for the 2002 season.
Baltimore Dance Theater Ticket Order Forms
A ticket order form for the Baltimore Dance Theater's 1982 and 2001 Fall Concerts.
Details About the African American Friendship Tour
The Official dance schedule for the Baltimore Dance Theater in 1979.
The Premiere of "Dreams"
The program for the Baltimore Dance Theater premiere of "Dreams" at the Baltimore Museum of Art in 1983.
Letter to Eva from a Principle Dancer
In this letter, Baltimore Dance Theater member Branch Morgan requests a critique of his choreography from his teacher and mentor Eva Anderson.
1981 Critic's Review of the Baltimore Dance Theater
Critic Jane Murray reviews the Baltimore Dance Theater at the Critic's Place in 1981 for the Maryland Center for Public Broadcasting.
Baltimore Dance Theater Performance Schedule
The official dance schedule for the Baltimore Dance Theater in 1979.
Dancer Portraits
The official portraits or head shots of several members of the Baltimore Dance Theater.
Eva Anderson and Don Pullen
Eva Anderson and Don Pullen pose for a photograph together. Don Pullen was a famed African American jazz pianist and organist. He and Eva were close friends. Pullen composed several pieces for Eva's choreography.
The Baltimore Dance Theater in Costume
Eva Anderson designed and sewed every costume for The Baltimore Dance Theater.
Backstage with the Baltimore Dance Theater
Members of the Baltimore Dance Theater practice choreography backstage
"Clowns" Dance Practice Footage
Members of the Baltimore Dance Theater practice choreography for "Clowns."
A Moment During the "Bre'r Rabbit" Dance
"Brer'r Rabbit" was created in 1988. The dance was an interpretation of "Uncle Remus" folktales. The piece was inspired by slave origins and Eva Anderson's childhood stories.
Poses from the "Come Sunday" Dance
Eva Anderson was inspired by African-American dancer Pearl Primus' s signature dance titled "Strange Fruit." Eva's dance was titled "Winter of Our Days." The dance consisted of striking movements to a melody of African American spirituals.
The Baltimore Dance Theater performs "The Elephant."
Eva Anderson was commissioned by the Smithsonian National Zoological Park in Washington, D.C. to choreograph a modern dance piece for the opening of the new Elephant Exhibit at the zoo.
Male dancers of The Baltimore Dance Theater Strike a Pose.
Although The Baltimore Dance Theater was rooted in African American history and dance, the troupe included dancers of all nationalities.
Eva Anderson Oversees a Dance Practice.
Eva Anderson monitors the progress of two principle dancers.